There’s nothing inherently modern about John Eccles “Semele.” Written at the beginning of the 18th century, the Baroque opera narrates an Ancient Greek myth about a mortal protagonist whose jealousy ...

1 Review: Warhorses? Hi Yo, Silver, With Sierra, Grigorian, Radvanovsky, Jagde at Carnegie The Canadian Opera Company's 2011/2012 season closes with the company premiere of George Frideric Handel's ...

When the opera “Semele” opens Wednesday at the Brooklyn Academy of Music, the stage will hold some extra weight: two sumo wrestlers, totaling 700 pounds, and a 17-ton, 450-year-old temple. “Semele,” a ...

Semele is a timeless tale from Greek antiquity about the pitfalls of ambition, vanity, and making open-ended promises. Stage Director Kristine McIntyre, whose most recent collaboration with Pittsburgh ...

Based on an ancient Greek myth, John Eccles’ early 18th century opera “Semele” is undergoing an update for its latest incarnation in the New College Theatre, albeit one that still keeps it vintage.

Performances in N.Y.C. Advertisement Supported by Critic’s Pick By Anthony Tommasini Handel was a savvy career strategist. So what could he have been thinking when he slipped his opera “Semele” onto ...

Pittsburgh Opera has postponed its first-ever production of George Frideric Handel’s “Semele” from February to May. The move was made “in response to ongoing covid-19 concerns, including high cases in ...

Confronting the audience at the outset of Oliver Mears’ challenging new production of Handel’s Semele is an unappealing grate cover, the sinister purpose of which is only gradually revealed. The ...