The novel takes seriously the question of whether you can read Proust and have a day job, circling the perennial tension ...

Edward Saatchi first saw “The Magnificent Ambersons,” Orson Welles’s mangled masterpiece from 1942, when he was twelve years ...

As the musical version of Bret Easton Ellis’s notoriously gory book returns to the stage, its tale of 80s yuppie nihilism feels more relevant than ever in the era of Andrew Tate, Trump and tech bros ...

When the credits rolled on Is This Thing On? we couldn’t help but feel a bit cheated. Cheated that the great performances weren’t used for a better script, cheated that the stand-up comedy angle ...

Abstract ideas rarely fail because they are false; they fail because they are hard to grasp. Across history, deep thinkers ...

Outlook at Sundance | Beth de Araújo’s daring, harrowing sophomore scours the fear that clouds an 8-year-old girl after witnessing a rape.

Alexander Skarsgård may steal the show as a toxic director, but he can't quite save a script that feels more like a ...

Since 1989, Salman Rushdie has been proof of this terrible fact, courtesy of the death sentence ordered against him by Iran’s ...

They Live, A Fish Called Wanda, and Cinema Paradiso are all among the best movies from 1988 that are now considered classics.

The desire for a new jazz age is a wish for a new national identity as glamorous and unassailable as old Hollywood.

From The Last Detail to Badlands, these masterpieces have become enshrined in cinematic history, coming to represent the accomplishments of the 1970s.

Six right-wing Liberal men were yesterday unable to decide who should challenge the party's first female leader. Meanwhile, ...